Konrad A. Ottenheym, Migration of architects in early modern Europe

Kathrin Wagner, The pre-migration phase and its significance for the migration of foreign artists working at the Tudor and Jacobean courts in London (1485–1642)

Michał Wardzyński, Sculptors Joseph van Enden (Eynden), Augustin van Oyen and Martin Christian Peterson: Last ‘Mannerist’ Netherlandish and Danish immigrants in the Polish–Lithuanian Commonwealth?

Wendy Frère, A Quellinus in Scandinavia: Thomas Quellinus (1661–1709) and his artistic production in Denmark

Agnieszka Patała, Old connections die hard: Artistic migrations between Nuremberg and Breslau in the sixteenth century from the perspective of Silesia (selected issues)

Anna Ancāne, Transfer of new models in Riga architecture and sculptural décor in the 1750–60s: Johann Friedrich Oettinger, a travelling artist in military service, and immigrant sculptor Jacob Ernst Meyer

Aistė Paliušytė, Lithuanian contribution to the studies of artists’ migration in the seventeenth and eighteenth centuries

Hans J. Van Miegroet, Mapping artists and artist migrations with imperfect data

Aleksandra Lipińska, ‘On the move’ in Central and Northern Europe: Trends and methods in the research on artist migration

Alessandra Becucci, Chi non è conosciuto li conviene in età matura fare il noviziato: New documents for seventeenth-century artistic migration in Central Europe

Sanja Cvetnić, Rome in Croatia, via Tyrol

Ruth Sargent Noyes, Translatio reliquiae and translatio imperii between Italy and North-Eastern Europe in the Age of Partition (c. 1750–1800): The case of the Plater in Polish Livonia

Julia Trinkert, The architect and his employer: Carl Gottlob Horn’s passive mobility and its significance for Heinrich Carl von Schimmelmann’s social ascendancy

Eduards Kļaviņš, Pragmatic migration and romantic nomadism of artists across and from the German-ruled Baltic provinces of the Russian Empire at the turn and the beginning of the nineteenth century