TY  - GEN
AU  - Ancane, Anna
TI  - The Migration of Artists and Architects in Central and Northern Europe, 1560-1900
SN  - 9789934541957
PY  - 2022///
CY  - Riga
PB  - Latvijas Makslas akademija
N1  - Konrad A. Ottenheym; Migration of architects in early modern Europe; Kathrin Wagner; The pre-migration phase and its significance for the migration of foreign artists working at the Tudor and Jacobean courts in London (1485–1642); Michał Wardzyński; Sculptors Joseph van Enden (Eynden), Augustin van Oyen and Martin Christian Peterson: Last ‘Mannerist’ Netherlandish and Danish immigrants in the Polish–Lithuanian Commonwealth?; Wendy Frère; A Quellinus in Scandinavia: Thomas Quellinus (1661–1709) and his artistic production in Denmark; Agnieszka Patała; Old connections die hard: Artistic migrations between Nuremberg and Breslau in the sixteenth century from the perspective of Silesia (selected issues); Anna Ancāne; Transfer of new models in Riga architecture and sculptural décor in the 1750–60s: Johann Friedrich Oettinger, a travelling artist in military service, and immigrant sculptor Jacob Ernst Meyer; Aistė Paliušytė; Lithuanian contribution to the studies of artists’ migration in the seventeenth and eighteenth centuries; Hans J. Van Miegroet; Mapping artists and artist migrations with imperfect data; Aleksandra Lipińska; ‘On the move’ in Central and Northern Europe: Trends and methods in the research on artist migration; Alessandra Becucci; Chi non è conosciuto li conviene in età matura fare il noviziato: New documents for seventeenth-century artistic migration in Central Europe; Sanja Cvetnić; Rome in Croatia, via Tyrol; Ruth Sargent Noyes; Translatio reliquiae and translatio imperii between Italy and North-Eastern Europe in the Age of Partition (c. 1750–1800): The case of the Plater in Polish Livonia; Julia Trinkert; The architect and his employer: Carl Gottlob Horn’s passive mobility and its significance for Heinrich Carl von Schimmelmann’s social ascendancy; Eduards Kļaviņš; Pragmatic migration and romantic nomadism of artists across and from the German-ruled Baltic provinces of the Russian Empire at the turn and the beginning of the nineteenth century
ER  -