<?xml version="1.0" encoding="utf-8" ?> <rss version="2.0" xmlns:opensearch="http://a9.com/-/spec/opensearch/1.1/" xmlns:dc="http://purl.org/dc/elements/1.1/" xmlns:atom="http://www.w3.org/2005/Atom"> <channel> <title> <![CDATA[Ma bibliothèque Search for 'an:16']]> </title> <link> /cgi-bin/koha/opac-search.pl?q=ccl=an%3A16&#38;sort_by=relevance&#38;format=rss </link> <atom:link rel="self" type="application/rss+xml" href="/cgi-bin/koha/opac-search.pl?q=ccl=an%3A16&#38;sort_by=relevance&#38;format=rss"/> <description> <![CDATA[ Search results for 'an:16' at Ma bibliothèque]]> </description> <opensearch:totalResults>18</opensearch:totalResults> <opensearch:startIndex>0</opensearch:startIndex> <opensearch:itemsPerPage>50</opensearch:itemsPerPage> <atom:link rel="search" type="application/opensearchdescription+xml" href="/cgi-bin/koha/opac-search.pl?q=ccl=an%3A16&#38;sort_by=relevance&#38;format=opensearchdescription"/> <opensearch:Query role="request" searchTerms="q%3Dccl%3Dan%253A16" startPage="" /> <item> <title> Jan van Eyck's Crucifixion and Last Judgment : Solving a Conundrum / </title> <dc:identifier>ISBN:9782503596907</dc:identifier> <link>/cgi-bin/koha/opac-detail.pl?biblionumber=3</link> <description> <![CDATA[ <p> Turnhout : Brepols Publishers, 2022 .<br /> 195 p. : 30 cm.<br /> 9782503596907 </p> ]]> <![CDATA[ <p> <a href="/cgi-bin/koha/opac-reserve.pl?biblionumber=3">Place hold on <em>Jan van Eyck's Crucifixion and Last Judgment :</em></a> </p> ]]> </description> <guid>/cgi-bin/koha/opac-detail.pl?biblionumber=3</guid> </item> <item> <title> &quot;À la façon grèce&quot; : The Encounter of Northern Renaissance Artists with Byzantine Icons / </title> <dc:identifier>ISBN:</dc:identifier> <link>/cgi-bin/koha/opac-detail.pl?biblionumber=112</link> <description> <![CDATA[ <p> By Ainsworth, Maryan W..<br /> 2004 </p> ]]> <![CDATA[ <p> <a href="/cgi-bin/koha/opac-reserve.pl?biblionumber=112">Place hold on <em>&quot;À la façon grèce&quot; : </em></a> </p> ]]> </description> <guid>/cgi-bin/koha/opac-detail.pl?biblionumber=112</guid> </item> <item> <title> Juan de Flandes : Chamelon Painter / </title> <dc:identifier>ISBN:</dc:identifier> <link>/cgi-bin/koha/opac-detail.pl?biblionumber=175</link> <description> <![CDATA[ <p> By Ainsworth, Maryan W..<br /> 2008 </p> ]]> <![CDATA[ <p> <a href="/cgi-bin/koha/opac-reserve.pl?biblionumber=175">Place hold on <em>Juan de Flandes : </em></a> </p> ]]> </description> <guid>/cgi-bin/koha/opac-detail.pl?biblionumber=175</guid> </item> <item> <title> From Connoisseurship to Technical Art History : The Evolution of the Interdisciplinary Study of Art / </title> <dc:identifier>ISBN:</dc:identifier> <link>/cgi-bin/koha/opac-detail.pl?biblionumber=483</link> <description> <![CDATA[ <p> By Ainsworth, Maryan W. .<br /> 2005 </p> ]]> <![CDATA[ <p> <a href="/cgi-bin/koha/opac-reserve.pl?biblionumber=483">Place hold on <em>From Connoisseurship to Technical Art History :</em></a> </p> ]]> </description> <guid>/cgi-bin/koha/opac-detail.pl?biblionumber=483</guid> </item> <item> <title> Gerard David's drawings for the 'Justice of Cambyses' once again / </title> <dc:identifier>ISBN:</dc:identifier> <link>/cgi-bin/koha/opac-detail.pl?biblionumber=509</link> <description> <![CDATA[ <p> By Ainsworth, Maryan W..<br /> 1988 </p> ]]> <![CDATA[ <p> <a href="/cgi-bin/koha/opac-reserve.pl?biblionumber=509">Place hold on <em>Gerard David's drawings for the 'Justice of Cambyses' once again /</em></a> </p> ]]> </description> <guid>/cgi-bin/koha/opac-detail.pl?biblionumber=509</guid> </item> <item> <title> St. Catherine Disputing with the Philosophers, an Early Work by the Master of St. Gudule / </title> <dc:identifier>ISBN:</dc:identifier> <link>/cgi-bin/koha/opac-detail.pl?biblionumber=799</link> <description> <![CDATA[ <p> By Ainsworth, Maryan W..<br /> 1974 </p> ]]> <![CDATA[ <p> <a href="/cgi-bin/koha/opac-reserve.pl?biblionumber=799">Place hold on <em>St. Catherine Disputing with the Philosophers, an Early Work by the Master of St. Gudule /</em></a> </p> ]]> </description> <guid>/cgi-bin/koha/opac-detail.pl?biblionumber=799</guid> </item> <item> <title> Hugo van der Goes and Portraiture / </title> <dc:identifier>ISBN:</dc:identifier> <link>/cgi-bin/koha/opac-detail.pl?biblionumber=836</link> <description> <![CDATA[ <p> By Ainsworth, Maryan W..<br /> 2017 </p> ]]> <![CDATA[ <p> <a href="/cgi-bin/koha/opac-reserve.pl?biblionumber=836">Place hold on <em>Hugo van der Goes and Portraiture /</em></a> </p> ]]> </description> <guid>/cgi-bin/koha/opac-detail.pl?biblionumber=836</guid> </item> <item> <title> The Middendorf Altarpiece by a Follower of Hugo van der Goes / </title> <dc:identifier>ISBN:</dc:identifier> <link>/cgi-bin/koha/opac-detail.pl?biblionumber=847</link> <description> <![CDATA[ <p> By Ainsworth, Maryan W..<br /> 2018 </p> ]]> <![CDATA[ <p> <a href="/cgi-bin/koha/opac-reserve.pl?biblionumber=847">Place hold on <em>The Middendorf Altarpiece by a Follower of Hugo van der Goes /</em></a> </p> ]]> </description> <guid>/cgi-bin/koha/opac-detail.pl?biblionumber=847</guid> </item> <item> <title> Northern Renaissance Drawings and Underdrawings : A Proposed Method of Study / </title> <dc:identifier>ISBN:</dc:identifier> <link>/cgi-bin/koha/opac-detail.pl?biblionumber=917</link> <description> <![CDATA[ <p> By Ainsworth, Maryan W..<br /> 1989 </p> ]]> <![CDATA[ <p> <a href="/cgi-bin/koha/opac-reserve.pl?biblionumber=917">Place hold on <em>Northern Renaissance Drawings and Underdrawings : A Proposed Method of Study /</em></a> </p> ]]> </description> <guid>/cgi-bin/koha/opac-detail.pl?biblionumber=917</guid> </item> <item> <title> Bruges et la Renaissance : De Memling à Pourbus. Notices / </title> <dc:identifier>ISBN:90-5544-237-2</dc:identifier> <link>/cgi-bin/koha/opac-detail.pl?biblionumber=940</link> <description> <![CDATA[ <p> Bruges : Stichting Kunstboek, Ludion, 1998 .<br /> 255 p. : , Cet ouvrage est le second volume du catalogue de l'exposition « Bruges et la Renaissance. De Memling à Pourbus ». 90-5544-237-2 </p> ]]> <![CDATA[ <p> <a href="/cgi-bin/koha/opac-reserve.pl?biblionumber=940">Place hold on <em>Bruges et la Renaissance :</em></a> </p> ]]> </description> <guid>/cgi-bin/koha/opac-detail.pl?biblionumber=940</guid> </item> <item> <title> A sculpture of the Virgin Annunciate by Jean Guillaumet, called Jehan de Chartres / </title> <dc:identifier>ISBN:</dc:identifier> <link>/cgi-bin/koha/opac-detail.pl?biblionumber=947</link> <description> <![CDATA[ <p> By Ainsworth, Maryan W..<br /> </p> ]]> <![CDATA[ <p> <a href="/cgi-bin/koha/opac-reserve.pl?biblionumber=947">Place hold on <em>A sculpture of the Virgin Annunciate by Jean Guillaumet, called Jehan de Chartres /</em></a> </p> ]]> </description> <guid>/cgi-bin/koha/opac-detail.pl?biblionumber=947</guid> </item> <item> <title> Underdrawings in paintings by Joos van Cleve at the Metropolitan Museum of Art / </title> <dc:identifier>ISBN:</dc:identifier> <link>/cgi-bin/koha/opac-detail.pl?biblionumber=980</link> <description> <![CDATA[ <p> By Ainsworth, Maryan W..<br /> 1982 , Colloque IV, 29-31 oct. 1981 </p> ]]> <![CDATA[ <p> <a href="/cgi-bin/koha/opac-reserve.pl?biblionumber=980">Place hold on <em>Underdrawings in paintings by Joos van Cleve at the Metropolitan Museum of Art /</em></a> </p> ]]> </description> <guid>/cgi-bin/koha/opac-detail.pl?biblionumber=980</guid> </item> <item> <title> New Insights into Joos van Cleve as a Draughtsman / </title> <dc:identifier>ISBN:</dc:identifier> <link>/cgi-bin/koha/opac-detail.pl?biblionumber=981</link> <description> <![CDATA[ <p> By Ainsworth, Maryan W..<br /> 1983 </p> ]]> <![CDATA[ <p> <a href="/cgi-bin/koha/opac-reserve.pl?biblionumber=981">Place hold on <em>New Insights into Joos van Cleve as a Draughtsman /</em></a> </p> ]]> </description> <guid>/cgi-bin/koha/opac-detail.pl?biblionumber=981</guid> </item> <item> <title> La Sagrada Familia de Jan Gossart / </title> <dc:identifier>ISBN:</dc:identifier> <link>/cgi-bin/koha/opac-detail.pl?biblionumber=993</link> <description> <![CDATA[ <p> 2012 </p> ]]> <![CDATA[ <p> <a href="/cgi-bin/koha/opac-reserve.pl?biblionumber=993">Place hold on <em>La Sagrada Familia de Jan Gossart /</em></a> </p> ]]> </description> <guid>/cgi-bin/koha/opac-detail.pl?biblionumber=993</guid> </item> <item> <title> Implications of Revised Attributions in Netherlandish Painting / </title> <dc:identifier>ISBN:</dc:identifier> <link>/cgi-bin/koha/opac-detail.pl?biblionumber=1050</link> <description> <![CDATA[ <p> By Ainsworth, Maryan W..<br /> 1992 </p> ]]> <![CDATA[ <p> <a href="/cgi-bin/koha/opac-reserve.pl?biblionumber=1050">Place hold on <em>Implications of Revised Attributions in Netherlandish Painting /</em></a> </p> ]]> </description> <guid>/cgi-bin/koha/opac-detail.pl?biblionumber=1050</guid> </item> <item> <title> The Christ Nailed to the Cross Triptych in the Context of Gerard David's Early Work / </title> <dc:identifier>ISBN:</dc:identifier> <link>/cgi-bin/koha/opac-detail.pl?biblionumber=1113</link> <description> <![CDATA[ <p> By Ainsworth, Maryan W..<br /> 2024 , Cahier spécial des Annales d'Histoire de l'Art et Archéologie, 12 </p> ]]> <![CDATA[ <p> <a href="/cgi-bin/koha/opac-reserve.pl?biblionumber=1113">Place hold on <em>The Christ Nailed to the Cross Triptych in the Context of Gerard David's Early Work /</em></a> </p> ]]> </description> <guid>/cgi-bin/koha/opac-detail.pl?biblionumber=1113</guid> </item> <item> <title> Jan van Eyck’s ‘Crucifixion’ and ‘Last Judgment’ / </title> <dc:identifier>ISBN:</dc:identifier> <link>/cgi-bin/koha/opac-detail.pl?biblionumber=1185</link> <description> <![CDATA[ <p> By Ainsworth, Maryan W..<br /> 2023 </p> ]]> <![CDATA[ <p> <a href="/cgi-bin/koha/opac-reserve.pl?biblionumber=1185">Place hold on <em>Jan van Eyck’s ‘Crucifixion’ and ‘Last Judgment’ /</em></a> </p> ]]> </description> <guid>/cgi-bin/koha/opac-detail.pl?biblionumber=1185</guid> </item> <item> <title> Romanism as a Catalyst for Change in Bernard van Orley's Workshop Practices / </title> <dc:identifier>ISBN:</dc:identifier> <link>/cgi-bin/koha/opac-detail.pl?biblionumber=1432</link> <description> <![CDATA[ <p> By Ainsworth, Maryan W..<br /> 2006 </p> ]]> <![CDATA[ <p> <a href="/cgi-bin/koha/opac-reserve.pl?biblionumber=1432">Place hold on <em>Romanism as a Catalyst for Change in Bernard van Orley's Workshop Practices /</em></a> </p> ]]> </description> <guid>/cgi-bin/koha/opac-detail.pl?biblionumber=1432</guid> </item> </channel> </rss>
