<?xml version="1.0" encoding="utf-8" ?> <rss version="2.0" xmlns:opensearch="http://a9.com/-/spec/opensearch/1.1/" xmlns:dc="http://purl.org/dc/elements/1.1/" xmlns:atom="http://www.w3.org/2005/Atom"> <channel> <title> <![CDATA[Ma bibliothèque Search for 'an:5']]> </title> <link> /cgi-bin/koha/opac-search.pl?q=ccl=an%3A5&#38;sort_by=relevance&#38;format=rss </link> <atom:link rel="self" type="application/rss+xml" href="/cgi-bin/koha/opac-search.pl?q=ccl=an%3A5&#38;sort_by=relevance&#38;format=rss"/> <description> <![CDATA[ Search results for 'an:5' at Ma bibliothèque]]> </description> <opensearch:totalResults>13</opensearch:totalResults> <opensearch:startIndex>0</opensearch:startIndex> <opensearch:itemsPerPage>50</opensearch:itemsPerPage> <atom:link rel="search" type="application/opensearchdescription+xml" href="/cgi-bin/koha/opac-search.pl?q=ccl=an%3A5&#38;sort_by=relevance&#38;format=opensearchdescription"/> <opensearch:Query role="request" searchTerms="q%3Dccl%3Dan%253A5" startPage="" /> <item> <title> Jan Massys and Artistic Relationships Between Antwerp and Genoa During the Sixteenth Century / </title> <dc:identifier>ISBN:</dc:identifier> <link>/cgi-bin/koha/opac-detail.pl?biblionumber=84</link> <description> <![CDATA[ <p> By Galassi, Maria Clelia .<br /> 2006 </p> ]]> <![CDATA[ <p> <a href="/cgi-bin/koha/opac-reserve.pl?biblionumber=84">Place hold on <em>Jan Massys and Artistic Relationships Between Antwerp and Genoa During the Sixteenth Century /</em></a> </p> ]]> </description> <guid>/cgi-bin/koha/opac-detail.pl?biblionumber=84</guid> </item> <item> <title> Aspects of Antonello da Messina's Technique and Working Method in the 1470s : Between Italian and Flemish Tradition / </title> <dc:identifier>ISBN:</dc:identifier> <link>/cgi-bin/koha/opac-detail.pl?biblionumber=87</link> <description> <![CDATA[ <p> By Galassi, Maria Clelia .<br /> </p> ]]> <![CDATA[ <p> <a href="/cgi-bin/koha/opac-reserve.pl?biblionumber=87">Place hold on <em>Aspects of Antonello da Messina's Technique and Working Method in the 1470s : </em></a> </p> ]]> </description> <guid>/cgi-bin/koha/opac-detail.pl?biblionumber=87</guid> </item> <item> <title> Su alcuni monocromi di Aurelio Lomi : finalità e tipologie / </title> <dc:identifier>ISBN:</dc:identifier> <link>/cgi-bin/koha/opac-detail.pl?biblionumber=123</link> <description> <![CDATA[ <p> By Galassi, Maria Clelia .<br /> 2000 </p> ]]> <![CDATA[ <p> <a href="/cgi-bin/koha/opac-reserve.pl?biblionumber=123">Place hold on <em>Su alcuni monocromi di Aurelio Lomi : </em></a> </p> ]]> </description> <guid>/cgi-bin/koha/opac-detail.pl?biblionumber=123</guid> </item> <item> <title> La produzione 'seriale' nella bottega di Giovanni Bellini : indagini sulle du Madonne del Museo di Castelvecchio / </title> <dc:identifier>ISBN:</dc:identifier> <link>/cgi-bin/koha/opac-detail.pl?biblionumber=124</link> <description> <![CDATA[ <p> By Galassi, Maria Clelia .<br /> 1998 </p> ]]> <![CDATA[ <p> <a href="/cgi-bin/koha/opac-reserve.pl?biblionumber=124">Place hold on <em>La produzione 'seriale' nella bottega di Giovanni Bellini : </em></a> </p> ]]> </description> <guid>/cgi-bin/koha/opac-detail.pl?biblionumber=124</guid> </item> <item> <title> Considerazioni sugli aspetti tecnici della pittura italiana tra il 1475 e il 1550 / </title> <dc:identifier>ISBN:</dc:identifier> <link>/cgi-bin/koha/opac-detail.pl?biblionumber=561</link> <description> <![CDATA[ <p> By Galassi, Maria Clelia.<br /> 1983 </p> ]]> <![CDATA[ <p> <a href="/cgi-bin/koha/opac-reserve.pl?biblionumber=561">Place hold on <em>Considerazioni sugli aspetti tecnici della pittura italiana tra il 1475 e il 1550 /</em></a> </p> ]]> </description> <guid>/cgi-bin/koha/opac-detail.pl?biblionumber=561</guid> </item> <item> <title> Indagini sul disegno sottostante di Bartolomeo Montagna : Precisazioni sulla prima attività / </title> <dc:identifier>ISBN:</dc:identifier> <link>/cgi-bin/koha/opac-detail.pl?biblionumber=562</link> <description> <![CDATA[ <p> By Galassi, Maria Clelia.<br /> 2001 </p> ]]> <![CDATA[ <p> <a href="/cgi-bin/koha/opac-reserve.pl?biblionumber=562">Place hold on <em>Indagini sul disegno sottostante di Bartolomeo Montagna : </em></a> </p> ]]> </description> <guid>/cgi-bin/koha/opac-detail.pl?biblionumber=562</guid> </item> <item> <title> Underdrawing vs. undermodelling : Form construction in Tuscan painting during the first half of the 15th century / </title> <dc:identifier>ISBN:</dc:identifier> <link>/cgi-bin/koha/opac-detail.pl?biblionumber=563</link> <description> <![CDATA[ <p> By Galassi, Maria Clelia.<br /> 2001 , Le dessin sous-jacent et la technologie dans la peinture. Colloque XIII, Bruges 15, 16, 17 septembre 1999 </p> ]]> <![CDATA[ <p> <a href="/cgi-bin/koha/opac-reserve.pl?biblionumber=563">Place hold on <em>Underdrawing vs. undermodelling : </em></a> </p> ]]> </description> <guid>/cgi-bin/koha/opac-detail.pl?biblionumber=563</guid> </item> <item> <title> &quot;Piacendogli più il disegnare che il condur l'opere&quot; : grazia, perfezione, diligenza e mestiere nel disegno sottostante di Perino del Vaga / </title> <dc:identifier>ISBN:</dc:identifier> <link>/cgi-bin/koha/opac-detail.pl?biblionumber=564</link> <description> <![CDATA[ <p> By Galassi, Maria Clelia.<br /> 2001 </p> ]]> <![CDATA[ <p> <a href="/cgi-bin/koha/opac-reserve.pl?biblionumber=564">Place hold on <em>&quot;Piacendogli più il disegnare che il condur l'opere&quot; : </em></a> </p> ]]> </description> <guid>/cgi-bin/koha/opac-detail.pl?biblionumber=564</guid> </item> <item> <title> La Crucifixion de Hans Memling du Museo Civico de Vicence : Apports de l'examen en réflectographie dans l'infrarouge / </title> <dc:identifier>ISBN:</dc:identifier> <link>/cgi-bin/koha/opac-detail.pl?biblionumber=755</link> <description> <![CDATA[ <p> By Galassi, Maria Clelia.<br /> 1999 </p> ]]> <![CDATA[ <p> <a href="/cgi-bin/koha/opac-reserve.pl?biblionumber=755">Place hold on <em>La Crucifixion de Hans Memling du Museo Civico de Vicence : Apports de l'examen en réflectographie dans l'infrarouge /</em></a> </p> ]]> </description> <guid>/cgi-bin/koha/opac-detail.pl?biblionumber=755</guid> </item> <item> <title> Jan Massys : Renaissance Painter of Flemish Female Beauty / </title> <dc:identifier>ISBN:978-2-503-60720-7</dc:identifier> <link>/cgi-bin/koha/opac-detail.pl?biblionumber=897</link> <description> <![CDATA[ <p> By Galassi, Maria Clelia.<br /> Turnhout: Brepols Publishers n.v., 2023 .<br /> 239 p. : 978-2-503-60720-7 </p> ]]> <![CDATA[ <p> <a href="/cgi-bin/koha/opac-reserve.pl?biblionumber=897">Place hold on <em>Jan Massys :</em></a> </p> ]]> </description> <guid>/cgi-bin/koha/opac-detail.pl?biblionumber=897</guid> </item> <item> <title> An addition to the Sauli family's commissions in Bruges : the Genoa Annunciation triptych attributed to Jan Provoost / </title> <dc:identifier>ISBN:</dc:identifier> <link>/cgi-bin/koha/opac-detail.pl?biblionumber=1040</link> <description> <![CDATA[ <p> By Galassi, Maria Clelia.<br /> 2018 </p> ]]> <![CDATA[ <p> <a href="/cgi-bin/koha/opac-reserve.pl?biblionumber=1040">Place hold on <em>An addition to the Sauli family's commissions in Bruges : </em></a> </p> ]]> </description> <guid>/cgi-bin/koha/opac-detail.pl?biblionumber=1040</guid> </item> <item> <title> Copies of prototypes by Quentin Massys from the Workshop of his son Jan : the cas of the Butter Madonna / </title> <dc:identifier>ISBN:</dc:identifier> <link>/cgi-bin/koha/opac-detail.pl?biblionumber=1051</link> <description> <![CDATA[ <p> By Galassi, Maria Clelia.<br /> 2012 </p> ]]> <![CDATA[ <p> <a href="/cgi-bin/koha/opac-reserve.pl?biblionumber=1051">Place hold on <em>Copies of prototypes by Quentin Massys from the Workshop of his son Jan : </em></a> </p> ]]> </description> <guid>/cgi-bin/koha/opac-detail.pl?biblionumber=1051</guid> </item> <item> <title> The Rediscovery of a Fragmentary Kitchen Scene: Proposal for an Addition to Pieter Aertsen's Oeuvre and for Its Restoration, Between Theory and Display Options/ </title> <dc:identifier>ISBN:</dc:identifier> <link>/cgi-bin/koha/opac-detail.pl?biblionumber=1159</link> <description> <![CDATA[ <p> By Galassi, Maria Clelia.<br /> 2024 , Cahiers d’études des Annales d’Histoire de l’Art et d’Archéologie, XII </p> ]]> <![CDATA[ <p> <a href="/cgi-bin/koha/opac-reserve.pl?biblionumber=1159">Place hold on <em>The Rediscovery of a Fragmentary Kitchen Scene:</em></a> </p> ]]> </description> <guid>/cgi-bin/koha/opac-detail.pl?biblionumber=1159</guid> </item> </channel> </rss>
