<?xml version="1.0" encoding="utf-8" ?> <rss version="2.0" xmlns:opensearch="http://a9.com/-/spec/opensearch/1.1/" xmlns:dc="http://purl.org/dc/elements/1.1/" xmlns:atom="http://www.w3.org/2005/Atom"> <channel> <title> <![CDATA[Ma bibliothèque Search for 'au:&quot;Ainsworth, Maryan W.&quot;']]> </title> <link> /cgi-bin/koha/opac-search.pl?q=ccl=au%3A%22Ainsworth%2C%20Maryan%20W.%22&#38;sort_by=relevance&#38;format=rss </link> <atom:link rel="self" type="application/rss+xml" href="/cgi-bin/koha/opac-search.pl?q=ccl=au%3A%22Ainsworth%2C%20Maryan%20W.%22&#38;sort_by=relevance&#38;format=rss"/> <description> <![CDATA[ Search results for 'au:&quot;Ainsworth, Maryan W.&quot;' at Ma bibliothèque]]> </description> <opensearch:totalResults>31</opensearch:totalResults> <opensearch:startIndex>0</opensearch:startIndex> <opensearch:itemsPerPage>50</opensearch:itemsPerPage> <atom:link rel="search" type="application/opensearchdescription+xml" href="/cgi-bin/koha/opac-search.pl?q=ccl=au%3A%22Ainsworth%2C%20Maryan%20W.%22&#38;sort_by=relevance&#38;format=opensearchdescription"/> <opensearch:Query role="request" searchTerms="q%3Dccl%3Dau%253A%2522Ainsworth%252C%2520Maryan%2520W.%2522" startPage="" /> <item> <title> Jan van Eyck's Crucifixion and Last Judgment : Solving a Conundrum / </title> <dc:identifier>ISBN:9782503596907</dc:identifier> <link>/cgi-bin/koha/opac-detail.pl?biblionumber=3</link> <description> <![CDATA[ <p> Turnhout : Brepols Publishers, 2022 .<br /> 195 p. : 30 cm.<br /> 9782503596907 </p> ]]> <![CDATA[ <p> <a href="/cgi-bin/koha/opac-reserve.pl?biblionumber=3">Place hold on <em>Jan van Eyck's Crucifixion and Last Judgment :</em></a> </p> ]]> </description> <guid>/cgi-bin/koha/opac-detail.pl?biblionumber=3</guid> </item> <item> <title> &quot;À la façon grèce&quot; : The Encounter of Northern Renaissance Artists with Byzantine Icons / </title> <dc:identifier>ISBN:</dc:identifier> <link>/cgi-bin/koha/opac-detail.pl?biblionumber=112</link> <description> <![CDATA[ <p> By Ainsworth, Maryan W..<br /> 2004 </p> ]]> <![CDATA[ <p> <a href="/cgi-bin/koha/opac-reserve.pl?biblionumber=112">Place hold on <em>&quot;À la façon grèce&quot; : </em></a> </p> ]]> </description> <guid>/cgi-bin/koha/opac-detail.pl?biblionumber=112</guid> </item> <item> <title> Juan de Flandes : Chamelon Painter / </title> <dc:identifier>ISBN:</dc:identifier> <link>/cgi-bin/koha/opac-detail.pl?biblionumber=175</link> <description> <![CDATA[ <p> By Ainsworth, Maryan W..<br /> 2008 </p> ]]> <![CDATA[ <p> <a href="/cgi-bin/koha/opac-reserve.pl?biblionumber=175">Place hold on <em>Juan de Flandes : </em></a> </p> ]]> </description> <guid>/cgi-bin/koha/opac-detail.pl?biblionumber=175</guid> </item> <item> <title> From Connoisseurship to Technical Art History : The Evolution of the Interdisciplinary Study of Art / </title> <dc:identifier>ISBN:</dc:identifier> <link>/cgi-bin/koha/opac-detail.pl?biblionumber=483</link> <description> <![CDATA[ <p> By Ainsworth, Maryan W. .<br /> 2005 </p> ]]> <![CDATA[ <p> <a href="/cgi-bin/koha/opac-reserve.pl?biblionumber=483">Place hold on <em>From Connoisseurship to Technical Art History :</em></a> </p> ]]> </description> <guid>/cgi-bin/koha/opac-detail.pl?biblionumber=483</guid> </item> <item> <title> Gerard David's drawings for the 'Justice of Cambyses' once again / </title> <dc:identifier>ISBN:</dc:identifier> <link>/cgi-bin/koha/opac-detail.pl?biblionumber=509</link> <description> <![CDATA[ <p> By Ainsworth, Maryan W..<br /> 1988 </p> ]]> <![CDATA[ <p> <a href="/cgi-bin/koha/opac-reserve.pl?biblionumber=509">Place hold on <em>Gerard David's drawings for the 'Justice of Cambyses' once again /</em></a> </p> ]]> </description> <guid>/cgi-bin/koha/opac-detail.pl?biblionumber=509</guid> </item> <item> <title> St. Catherine Disputing with the Philosophers, an Early Work by the Master of St. Gudule / </title> <dc:identifier>ISBN:</dc:identifier> <link>/cgi-bin/koha/opac-detail.pl?biblionumber=799</link> <description> <![CDATA[ <p> By Ainsworth, Maryan W..<br /> 1974 </p> ]]> <![CDATA[ <p> <a href="/cgi-bin/koha/opac-reserve.pl?biblionumber=799">Place hold on <em>St. Catherine Disputing with the Philosophers, an Early Work by the Master of St. Gudule /</em></a> </p> ]]> </description> <guid>/cgi-bin/koha/opac-detail.pl?biblionumber=799</guid> </item> <item> <title> Hugo van der Goes and Portraiture / </title> <dc:identifier>ISBN:</dc:identifier> <link>/cgi-bin/koha/opac-detail.pl?biblionumber=836</link> <description> <![CDATA[ <p> By Ainsworth, Maryan W..<br /> 2017 </p> ]]> <![CDATA[ <p> <a href="/cgi-bin/koha/opac-reserve.pl?biblionumber=836">Place hold on <em>Hugo van der Goes and Portraiture /</em></a> </p> ]]> </description> <guid>/cgi-bin/koha/opac-detail.pl?biblionumber=836</guid> </item> <item> <title> The Middendorf Altarpiece by a Follower of Hugo van der Goes / </title> <dc:identifier>ISBN:</dc:identifier> <link>/cgi-bin/koha/opac-detail.pl?biblionumber=847</link> <description> <![CDATA[ <p> By Ainsworth, Maryan W..<br /> 2018 </p> ]]> <![CDATA[ <p> <a href="/cgi-bin/koha/opac-reserve.pl?biblionumber=847">Place hold on <em>The Middendorf Altarpiece by a Follower of Hugo van der Goes /</em></a> </p> ]]> </description> <guid>/cgi-bin/koha/opac-detail.pl?biblionumber=847</guid> </item> <item> <title> Northern Renaissance Drawings and Underdrawings : A Proposed Method of Study / </title> <dc:identifier>ISBN:</dc:identifier> <link>/cgi-bin/koha/opac-detail.pl?biblionumber=917</link> <description> <![CDATA[ <p> By Ainsworth, Maryan W..<br /> 1989 </p> ]]> <![CDATA[ <p> <a href="/cgi-bin/koha/opac-reserve.pl?biblionumber=917">Place hold on <em>Northern Renaissance Drawings and Underdrawings : A Proposed Method of Study /</em></a> </p> ]]> </description> <guid>/cgi-bin/koha/opac-detail.pl?biblionumber=917</guid> </item> <item> <title> Bruges et la Renaissance : De Memling à Pourbus. Notices / </title> <dc:identifier>ISBN:90-5544-237-2</dc:identifier> <link>/cgi-bin/koha/opac-detail.pl?biblionumber=940</link> <description> <![CDATA[ <p> Bruges : Stichting Kunstboek, Ludion, 1998 .<br /> 255 p. : , Cet ouvrage est le second volume du catalogue de l'exposition « Bruges et la Renaissance. De Memling à Pourbus ». 90-5544-237-2 </p> ]]> <![CDATA[ <p> <a href="/cgi-bin/koha/opac-reserve.pl?biblionumber=940">Place hold on <em>Bruges et la Renaissance :</em></a> </p> ]]> </description> <guid>/cgi-bin/koha/opac-detail.pl?biblionumber=940</guid> </item> <item> <title> A sculpture of the Virgin Annunciate by Jean Guillaumet, called Jehan de Chartres / </title> <dc:identifier>ISBN:</dc:identifier> <link>/cgi-bin/koha/opac-detail.pl?biblionumber=947</link> <description> <![CDATA[ <p> By Ainsworth, Maryan W..<br /> </p> ]]> <![CDATA[ <p> <a href="/cgi-bin/koha/opac-reserve.pl?biblionumber=947">Place hold on <em>A sculpture of the Virgin Annunciate by Jean Guillaumet, called Jehan de Chartres /</em></a> </p> ]]> </description> <guid>/cgi-bin/koha/opac-detail.pl?biblionumber=947</guid> </item> <item> <title> Underdrawings in paintings by Joos van Cleve at the Metropolitan Museum of Art / </title> <dc:identifier>ISBN:</dc:identifier> <link>/cgi-bin/koha/opac-detail.pl?biblionumber=980</link> <description> <![CDATA[ <p> By Ainsworth, Maryan W..<br /> 1982 , Colloque IV, 29-31 oct. 1981 </p> ]]> <![CDATA[ <p> <a href="/cgi-bin/koha/opac-reserve.pl?biblionumber=980">Place hold on <em>Underdrawings in paintings by Joos van Cleve at the Metropolitan Museum of Art /</em></a> </p> ]]> </description> <guid>/cgi-bin/koha/opac-detail.pl?biblionumber=980</guid> </item> <item> <title> New Insights into Joos van Cleve as a Draughtsman / </title> <dc:identifier>ISBN:</dc:identifier> <link>/cgi-bin/koha/opac-detail.pl?biblionumber=981</link> <description> <![CDATA[ <p> By Ainsworth, Maryan W..<br /> 1983 </p> ]]> <![CDATA[ <p> <a href="/cgi-bin/koha/opac-reserve.pl?biblionumber=981">Place hold on <em>New Insights into Joos van Cleve as a Draughtsman /</em></a> </p> ]]> </description> <guid>/cgi-bin/koha/opac-detail.pl?biblionumber=981</guid> </item> <item> <title> La Sagrada Familia de Jan Gossart / </title> <dc:identifier>ISBN:</dc:identifier> <link>/cgi-bin/koha/opac-detail.pl?biblionumber=993</link> <description> <![CDATA[ <p> 2012 </p> ]]> <![CDATA[ <p> <a href="/cgi-bin/koha/opac-reserve.pl?biblionumber=993">Place hold on <em>La Sagrada Familia de Jan Gossart /</em></a> </p> ]]> </description> <guid>/cgi-bin/koha/opac-detail.pl?biblionumber=993</guid> </item> <item> <title> Implications of Revised Attributions in Netherlandish Painting / </title> <dc:identifier>ISBN:</dc:identifier> <link>/cgi-bin/koha/opac-detail.pl?biblionumber=1050</link> <description> <![CDATA[ <p> By Ainsworth, Maryan W..<br /> 1992 </p> ]]> <![CDATA[ <p> <a href="/cgi-bin/koha/opac-reserve.pl?biblionumber=1050">Place hold on <em>Implications of Revised Attributions in Netherlandish Painting /</em></a> </p> ]]> </description> <guid>/cgi-bin/koha/opac-detail.pl?biblionumber=1050</guid> </item> <item> <title> The Christ Nailed to the Cross Triptych in the Context of Gerard David's Early Work / </title> <dc:identifier>ISBN:</dc:identifier> <link>/cgi-bin/koha/opac-detail.pl?biblionumber=1113</link> <description> <![CDATA[ <p> By Ainsworth, Maryan W..<br /> 2024 , Cahier spécial des Annales d'Histoire de l'Art et Archéologie, 12 </p> ]]> <![CDATA[ <p> <a href="/cgi-bin/koha/opac-reserve.pl?biblionumber=1113">Place hold on <em>The Christ Nailed to the Cross Triptych in the Context of Gerard David's Early Work /</em></a> </p> ]]> </description> <guid>/cgi-bin/koha/opac-detail.pl?biblionumber=1113</guid> </item> <item> <title> Jan van Eyck’s ‘Crucifixion’ and ‘Last Judgment’ / </title> <dc:identifier>ISBN:</dc:identifier> <link>/cgi-bin/koha/opac-detail.pl?biblionumber=1185</link> <description> <![CDATA[ <p> By Ainsworth, Maryan W..<br /> 2023 </p> ]]> <![CDATA[ <p> <a href="/cgi-bin/koha/opac-reserve.pl?biblionumber=1185">Place hold on <em>Jan van Eyck’s ‘Crucifixion’ and ‘Last Judgment’ /</em></a> </p> ]]> </description> <guid>/cgi-bin/koha/opac-detail.pl?biblionumber=1185</guid> </item> <item> <title> Romanism as a Catalyst for Change in Bernard van Orley's Workshop Practices / </title> <dc:identifier>ISBN:</dc:identifier> <link>/cgi-bin/koha/opac-detail.pl?biblionumber=1432</link> <description> <![CDATA[ <p> By Ainsworth, Maryan W..<br /> 2006 </p> ]]> <![CDATA[ <p> <a href="/cgi-bin/koha/opac-reserve.pl?biblionumber=1432">Place hold on <em>Romanism as a Catalyst for Change in Bernard van Orley's Workshop Practices /</em></a> </p> ]]> </description> <guid>/cgi-bin/koha/opac-detail.pl?biblionumber=1432</guid> </item> <item> <title> Man, myth, and sensual pleasures : Jan Gossart's Renaissance : the complete works / </title> <dc:identifier>ISBN:9781588393982 | 1588393984 | 9780300166576 | 0300166575</dc:identifier> <link>/cgi-bin/koha/opac-detail.pl?biblionumber=1601</link> <description> <![CDATA[ <p> By Ainsworth, Maryan W..<br /> New York : New Haven : Yale University Press; Metropolitan Museum of Art 2010 , Publié à l'occasion de l'exposition tenue au Metropolitan Museum of Art, New York, du 5 octobre 2010 au 17 janvier 2011 et à la National Gallery, Londres, du 23 février au 30 mai 2011 9781588393982 | 1588393984 | 9780300166576 | 0300166575 </p> ]]> <![CDATA[ <p> <a href="/cgi-bin/koha/opac-reserve.pl?biblionumber=1601">Place hold on <em>Man, myth, and sensual pleasures : Jan Gossart's Renaissance : the complete works /</em></a> </p> ]]> </description> <guid>/cgi-bin/koha/opac-detail.pl?biblionumber=1601</guid> </item> <item> <title> German paintings in the Metropolitan Museum of Art, 1350-1600 / </title> <dc:identifier>ISBN:9781588394873 | 1588394875 | 9780300148978 | 0300148976</dc:identifier> <link>/cgi-bin/koha/opac-detail.pl?biblionumber=1891</link> <description> <![CDATA[ <p> By Ainsworth, Maryan W..<br /> New York : New Haven : Distributed by Yale University Press; Metropolitan Museum of Art 2013 9781588394873 | 1588394875 | 9780300148978 | 0300148976 </p> ]]> <![CDATA[ <p> <a href="/cgi-bin/koha/opac-reserve.pl?biblionumber=1891">Place hold on <em>German paintings in the Metropolitan Museum of Art, 1350-1600 /</em></a> </p> ]]> </description> <guid>/cgi-bin/koha/opac-detail.pl?biblionumber=1891</guid> </item> <item> <title> Bruges et la Renaissance : De Memling à Pourbus / </title> <dc:identifier>ISBN:9055442321 | 9789055442324 | 9055442313 | 9789055442317 | 9055442372 | 9789055442379</dc:identifier> <link>/cgi-bin/koha/opac-detail.pl?biblionumber=2028</link> <description> <![CDATA[ <p> Bruges : Paris : Ludion-Flammarion; Stichting Kunstboek 1998 , Catalogue de l'exposition &quot;De Hans Memling à Pierre Pourbus&quot;, Bruges, Memlingmuseum, Oud Sint-Janshospitaal, 15 aout-6 décembre 1998. 9055442321 | 9789055442324 | 9055442313 | 9789055442317 | 9055442372 | 9789055442379 </p> ]]> <![CDATA[ <p> <a href="/cgi-bin/koha/opac-reserve.pl?biblionumber=2028">Place hold on <em>Bruges et la Renaissance : De Memling à Pourbus /</em></a> </p> ]]> </description> <guid>/cgi-bin/koha/opac-detail.pl?biblionumber=2028</guid> </item> <item> <title> Hans Memling / </title> <dc:identifier>ISBN:9055440280 | 9789055440283 | 9055440302 | 9789055440306</dc:identifier> <link>/cgi-bin/koha/opac-detail.pl?biblionumber=2393</link> <description> <![CDATA[ <p> By Vos, Dirk de.<br /> [s.l.] : Ludion 1994 , Ouvrage publié à l'occasion de l'exposition &quot;Hans Memling: cinq siècles de réalité et de fiction&quot; organisée par la Ville de Bruges et les Musées communaux, Bruges, Groeningemuseum, 12 août-15 novembre 1994 | Textes en français, anglais ou néerlandais 9055440280 | 9789055440283 | 9055440302 | 9789055440306 </p> ]]> <![CDATA[ <p> <a href="/cgi-bin/koha/opac-reserve.pl?biblionumber=2393">Place hold on <em>Hans Memling /</em></a> </p> ]]> </description> <guid>/cgi-bin/koha/opac-detail.pl?biblionumber=2393</guid> </item> <item> <title> Hans Memling / </title> <dc:identifier>ISBN:9055440280 | 9789055440283 | 9055440302 | 9789055440306</dc:identifier> <link>/cgi-bin/koha/opac-detail.pl?biblionumber=2394</link> <description> <![CDATA[ <p> By Vos, Dirk de.<br /> [s.l.] : Ludion 1994 , Ouvrage publié à l'occasion de l'exposition &quot;Hans Memling: cinq siècles de réalité et de fiction&quot; organisée par la Ville de Bruges et les Musées communaux, Bruges, Groeningemuseum, 12 août-15 novembre 1994 | Textes en français, anglais ou néerlandais 9055440280 | 9789055440283 | 9055440302 | 9789055440306 </p> ]]> <![CDATA[ <p> <a href="/cgi-bin/koha/opac-reserve.pl?biblionumber=2394">Place hold on <em>Hans Memling /</em></a> </p> ]]> </description> <guid>/cgi-bin/koha/opac-detail.pl?biblionumber=2394</guid> </item> <item> <title> Petrus Christus : Renaissance master of Bruges / </title> <dc:identifier>ISBN:0810964821 | 9780810964822 | 0870996940 | 9780870996948 | 0870996959 | 9780870996955</dc:identifier> <link>/cgi-bin/koha/opac-detail.pl?biblionumber=2399</link> <description> <![CDATA[ <p> By Ainsworth, Maryan W., author.<br /> New York : Metropolitan Museum of Art 1994 , Catalogue d'une exposition tenue au Metropolitan Museum of Art, New York, du14 avril au 31 juillet 1994 0810964821 | 9780810964822 | 0870996940 | 9780870996948 | 0870996959 | 9780870996955 </p> ]]> <![CDATA[ <p> <a href="/cgi-bin/koha/opac-reserve.pl?biblionumber=2399">Place hold on <em>Petrus Christus : Renaissance master of Bruges /</em></a> </p> ]]> </description> <guid>/cgi-bin/koha/opac-detail.pl?biblionumber=2399</guid> </item> <item> <title> From Van Eyck to Bruegel : early Netherlandish paintings in the Metropolitan Museum of Art / </title> <dc:identifier>ISBN:0870998706 | 9780870998706 | 0870998714 | 9780870998713 | 0810965283 | 9780810965287</dc:identifier> <link>/cgi-bin/koha/opac-detail.pl?biblionumber=2570</link> <description> <![CDATA[ <p> By Metropolitan Museum of Art (New York, N.Y.).<br /> New York : Metropolitan Museum of Art 1998 , Catalog of an exhibition held at the Metropolitan Museum of Art, Sept. 22, 1998-Jan. 3, 1999. 0870998706 | 9780870998706 | 0870998714 | 9780870998713 | 0810965283 | 9780810965287 </p> ]]> <![CDATA[ <p> <a href="/cgi-bin/koha/opac-reserve.pl?biblionumber=2570">Place hold on <em>From Van Eyck to Bruegel : early Netherlandish paintings in the Metropolitan Museum of Art /</em></a> </p> ]]> </description> <guid>/cgi-bin/koha/opac-detail.pl?biblionumber=2570</guid> </item> <item> <title> Tapestry in the Renaissance : art and magnificence / </title> <dc:identifier>ISBN:1588390217 | 9781588390219 | 1588390225 | 9781588390226 | 1300093705</dc:identifier> <link>/cgi-bin/koha/opac-detail.pl?biblionumber=2675</link> <description> <![CDATA[ <p> By Campbell, Thomas P..<br /> New York : New Haven : Yale University Press; Metropolitan Museum of Art 2002 , Exhibition held at the Metropolitan Museum of Art from March 14 through June 19, 2002. 1588390217 | 9781588390219 | 1588390225 | 9781588390226 | 1300093705 </p> ]]> <![CDATA[ <p> <a href="/cgi-bin/koha/opac-reserve.pl?biblionumber=2675">Place hold on <em>Tapestry in the Renaissance : art and magnificence /</em></a> </p> ]]> </description> <guid>/cgi-bin/koha/opac-detail.pl?biblionumber=2675</guid> </item> <item> <title> Il Polittico della Cervara di Gerard David / </title> <dc:identifier>ISBN:8882159922 | 9788882159924</dc:identifier> <link>/cgi-bin/koha/opac-detail.pl?biblionumber=2720</link> <description> <![CDATA[ <p> Cinisello Balsamo, Milano : Silvana 2005 , Exhibition catalogue, Genoa, Musei di Strada Nuova, Palazzo Bianco, 2005-2006. 8882159922 | 9788882159924 </p> ]]> <![CDATA[ <p> <a href="/cgi-bin/koha/opac-reserve.pl?biblionumber=2720">Place hold on <em>Il Polittico della Cervara di Gerard David /</em></a> </p> ]]> </description> <guid>/cgi-bin/koha/opac-detail.pl?biblionumber=2720</guid> </item> <item> <title> Les portraits de Memling / </title> <dc:identifier>ISBN:9055445428 | 9789055445424</dc:identifier> <link>/cgi-bin/koha/opac-detail.pl?biblionumber=2731</link> <description> <![CDATA[ <p> By Borchert, Till, author.<br /> Gand : Ludion 2005 , Expositions, Madrid, Museo Thyssen-Bornemisza, 14 févr.-15 mai 2005 | Bruges, Groeningemuseum, 8 juin-4 sept. 2005 | New York, : The Frick collection, 6 oct.-31 déc. 2005 9055445428 | 9789055445424 </p> ]]> <![CDATA[ <p> <a href="/cgi-bin/koha/opac-reserve.pl?biblionumber=2731">Place hold on <em>Les portraits de Memling /</em></a> </p> ]]> </description> <guid>/cgi-bin/koha/opac-detail.pl?biblionumber=2731</guid> </item> <item> <title> Gerard David : purity of vision in an age of transition / </title> <dc:identifier>ISBN:0870998773 | 9780870998775 | 0810965232 | 9780810965232</dc:identifier> <link>/cgi-bin/koha/opac-detail.pl?biblionumber=4580</link> <description> <![CDATA[ <p> By Metropolitan Museum of Art (New York, N.Y.).<br /> New York : Metropolitan Museum of Art 1998 0870998773 | 9780870998775 | 0810965232 | 9780810965232 </p> ]]> <![CDATA[ <p> <a href="/cgi-bin/koha/opac-reserve.pl?biblionumber=4580">Place hold on <em>Gerard David : purity of vision in an age of transition /</em></a> </p> ]]> </description> <guid>/cgi-bin/koha/opac-detail.pl?biblionumber=4580</guid> </item> <item> <title> Art and autoradiography : insights into the genesis of paintings by Rembrandt, Van Dyck, and Vermeer. </title> <dc:identifier>ISBN:0870992856 | 9780870992858 | 0870992864 | 9780870992865</dc:identifier> <link>/cgi-bin/koha/opac-detail.pl?biblionumber=4861</link> <description> <![CDATA[ <p> New York : Metropolitan Museum of Art 1982 , Research conducted jointly by the Metropolitan Museum of Art, New York, and the Chemistry Department of Brookhaven National Laboratory, Upton, Maryan Wynn Ainsworth, principal investigator. 0870992856 | 9780870992858 | 0870992864 | 9780870992865 </p> ]]> <![CDATA[ <p> <a href="/cgi-bin/koha/opac-reserve.pl?biblionumber=4861">Place hold on <em>Art and autoradiography : insights into the genesis of paintings by Rembrandt, Van Dyck, and Vermeer.</em></a> </p> ]]> </description> <guid>/cgi-bin/koha/opac-detail.pl?biblionumber=4861</guid> </item> <item> <title> Workshop Practice in Early Netherlandish Painting : Case Studies from Van Eyck through Gossart / </title> <dc:identifier>ISBN:9782503566689</dc:identifier> <link>/cgi-bin/koha/opac-detail.pl?biblionumber=4978</link> <description> <![CDATA[ <p> By Ainsworth, Maryan W..<br /> Turnhout : Brepols, 2017 .<br /> 136 p. : 9782503566689 </p> ]]> <![CDATA[ <p> <a href="/cgi-bin/koha/opac-reserve.pl?biblionumber=4978">Place hold on <em>Workshop Practice in Early Netherlandish Painting :</em></a> </p> ]]> </description> <guid>/cgi-bin/koha/opac-detail.pl?biblionumber=4978</guid> </item> </channel> </rss>
