<?xml version="1.0" encoding="utf-8" ?> <rss version="2.0" xmlns:opensearch="http://a9.com/-/spec/opensearch/1.1/" xmlns:dc="http://purl.org/dc/elements/1.1/" xmlns:atom="http://www.w3.org/2005/Atom"> <channel> <title> <![CDATA[Ma bibliothèque Search for 'au:&quot;Philippot, Paul&quot;']]> </title> <link> /cgi-bin/koha/opac-search.pl?q=ccl=au%3A%22Philippot%2C%20Paul%22&#38;sort_by=relevance&#38;format=rss </link> <atom:link rel="self" type="application/rss+xml" href="/cgi-bin/koha/opac-search.pl?q=ccl=au%3A%22Philippot%2C%20Paul%22&#38;sort_by=relevance&#38;format=rss"/> <description> <![CDATA[ Search results for 'au:&quot;Philippot, Paul&quot;' at Ma bibliothèque]]> </description> <opensearch:totalResults>103</opensearch:totalResults> <opensearch:startIndex>0</opensearch:startIndex> <opensearch:itemsPerPage>50</opensearch:itemsPerPage> <atom:link rel="search" type="application/opensearchdescription+xml" href="/cgi-bin/koha/opac-search.pl?q=ccl=au%3A%22Philippot%2C%20Paul%22&#38;sort_by=relevance&#38;format=opensearchdescription"/> <opensearch:Query role="request" searchTerms="q%3Dccl%3Dau%253A%2522Philippot%252C%2520Paul%2522" startPage="" /> <item> <title> Le maniérisme et l'art du portrait dans les Pays-Bas / </title> <dc:identifier>ISBN:</dc:identifier> <link>/cgi-bin/koha/opac-detail.pl?biblionumber=39</link> <description> <![CDATA[ <p> By Philppot, Paul.<br /> .<br /> 252 p. </p> ]]> <![CDATA[ <p> <a href="/cgi-bin/koha/opac-reserve.pl?biblionumber=39">Place hold on <em>Le maniérisme et l'art du portrait dans les Pays-Bas /</em></a> </p> ]]> </description> <guid>/cgi-bin/koha/opac-detail.pl?biblionumber=39</guid> </item> <item> <title> Icône et narration chez Memling / </title> <dc:identifier>ISBN:</dc:identifier> <link>/cgi-bin/koha/opac-detail.pl?biblionumber=105</link> <description> <![CDATA[ <p> By Philippot, Paul.<br /> </p> ]]> <![CDATA[ <p> <a href="/cgi-bin/koha/opac-reserve.pl?biblionumber=105">Place hold on <em>Icône et narration chez Memling /</em></a> </p> ]]> </description> <guid>/cgi-bin/koha/opac-detail.pl?biblionumber=105</guid> </item> <item> <title> La critique d'art italienne et la Kunstwissenschaft / </title> <dc:identifier>ISBN:</dc:identifier> <link>/cgi-bin/koha/opac-detail.pl?biblionumber=159</link> <description> <![CDATA[ <p> By Philippot, Paul.<br /> 1999 </p> ]]> <![CDATA[ <p> <a href="/cgi-bin/koha/opac-reserve.pl?biblionumber=159">Place hold on <em>La critique d'art italienne et la Kunstwissenschaft /</em></a> </p> ]]> </description> <guid>/cgi-bin/koha/opac-detail.pl?biblionumber=159</guid> </item> <item> <title> Watteau : technique picturale et problèmes de restauration </title> <dc:identifier>ISBN:</dc:identifier> <link>/cgi-bin/koha/opac-detail.pl?biblionumber=187</link> <description> <![CDATA[ <p> By Périer-D'Ieteren, Catheline.<br /> [Bruxelles] : Ministère de la Communauté française de Belgique, 1986 .<br /> 127 p. : , Université Libre de Bruxelles, Grand Hall, du 22 novembre au 12 décembre 1986. </p> ]]> <![CDATA[ <p> <a href="/cgi-bin/koha/opac-reserve.pl?biblionumber=187">Place hold on <em>Watteau :</em></a> </p> ]]> </description> <guid>/cgi-bin/koha/opac-detail.pl?biblionumber=187</guid> </item> <item> <title> Le portrait à Anvers dans la seconde moitié du XVIe siècle / </title> <dc:identifier>ISBN:</dc:identifier> <link>/cgi-bin/koha/opac-detail.pl?biblionumber=188</link> <description> <![CDATA[ <p> By Philippot, Paul.<br /> </p> ]]> <![CDATA[ <p> <a href="/cgi-bin/koha/opac-reserve.pl?biblionumber=188">Place hold on <em>Le portrait à Anvers dans la seconde moitié du XVIe siècle /</em></a> </p> ]]> </description> <guid>/cgi-bin/koha/opac-detail.pl?biblionumber=188</guid> </item> <item> <title> Les grisailles et les &quot;degrés de réalité&quot; de l'image dans la peinture flamande des XVe et XVIe siècles / </title> <dc:identifier>ISBN:</dc:identifier> <link>/cgi-bin/koha/opac-detail.pl?biblionumber=197</link> <description> <![CDATA[ <p> By Philippot, Paul.<br /> </p> ]]> <![CDATA[ <p> <a href="/cgi-bin/koha/opac-reserve.pl?biblionumber=197">Place hold on <em>Les grisailles et les &quot;degrés de réalité&quot; de l'image dans la peinture flamande des XVe et XVIe siècles /</em></a> </p> ]]> </description> <guid>/cgi-bin/koha/opac-detail.pl?biblionumber=197</guid> </item> <item> <title> Le maître du portrait de famille d'Anvers / </title> <dc:identifier>ISBN:</dc:identifier> <link>/cgi-bin/koha/opac-detail.pl?biblionumber=295</link> <description> <![CDATA[ <p> By Philippot, Paul.<br /> 1957 </p> ]]> <![CDATA[ <p> <a href="/cgi-bin/koha/opac-reserve.pl?biblionumber=295">Place hold on <em>Le maître du portrait de famille d'Anvers /</em></a> </p> ]]> </description> <guid>/cgi-bin/koha/opac-detail.pl?biblionumber=295</guid> </item> <item> <title> Le Monogrammiste G, Maitre de l'Epiphanie d'Anvers / </title> <dc:identifier>ISBN:</dc:identifier> <link>/cgi-bin/koha/opac-detail.pl?biblionumber=309</link> <description> <![CDATA[ <p> By Philippot, Paul.<br /> 1956 </p> ]]> <![CDATA[ <p> <a href="/cgi-bin/koha/opac-reserve.pl?biblionumber=309">Place hold on <em>Le Monogrammiste G, Maitre de l'Epiphanie d'Anvers /</em></a> </p> ]]> </description> <guid>/cgi-bin/koha/opac-detail.pl?biblionumber=309</guid> </item> <item> <title> Du XVe siècle a la Renaissance contribution a l'interprétation de la peinture néerlandaise / </title> <dc:identifier>ISBN:</dc:identifier> <link>/cgi-bin/koha/opac-detail.pl?biblionumber=310</link> <description> <![CDATA[ <p> By Philippot, Paul.<br /> 1959 </p> ]]> <![CDATA[ <p> <a href="/cgi-bin/koha/opac-reserve.pl?biblionumber=310">Place hold on <em>Du XVe siècle a la Renaissance contribution a l'interprétation de la peinture néerlandaise /</em></a> </p> ]]> </description> <guid>/cgi-bin/koha/opac-detail.pl?biblionumber=310</guid> </item> <item> <title> Réflexions sur le Problème de la Formation des Restaurateurs de Peintures et de Sculptures / </title> <dc:identifier>ISBN:</dc:identifier> <link>/cgi-bin/koha/opac-detail.pl?biblionumber=311</link> <description> <![CDATA[ <p> By Philippot, Paul.<br /> 1960 </p> ]]> <![CDATA[ <p> <a href="/cgi-bin/koha/opac-reserve.pl?biblionumber=311">Place hold on <em>Réflexions sur le Problème de la Formation des Restaurateurs de Peintures et de Sculptures /</em></a> </p> ]]> </description> <guid>/cgi-bin/koha/opac-detail.pl?biblionumber=311</guid> </item> <item> <title> Zur Situation der Gemälde- und Plastikrestauratoren und zum Problem ihrer Ausbildung / </title> <dc:identifier>ISBN:</dc:identifier> <link>/cgi-bin/koha/opac-detail.pl?biblionumber=322</link> <description> <![CDATA[ <p> By Philippot, Paul.<br /> 1963 </p> ]]> <![CDATA[ <p> <a href="/cgi-bin/koha/opac-reserve.pl?biblionumber=322">Place hold on <em>Zur Situation der Gemälde- und Plastikrestauratoren und zum Problem ihrer Ausbildung /</em></a> </p> ]]> </description> <guid>/cgi-bin/koha/opac-detail.pl?biblionumber=322</guid> </item> <item> <title> Restauro / </title> <dc:identifier>ISBN:</dc:identifier> <link>/cgi-bin/koha/opac-detail.pl?biblionumber=324</link> <description> <![CDATA[ <p> By Philippot, Paul.<br /> 1963 </p> ]]> <![CDATA[ <p> <a href="/cgi-bin/koha/opac-reserve.pl?biblionumber=324">Place hold on <em>Restauro /</em></a> </p> ]]> </description> <guid>/cgi-bin/koha/opac-detail.pl?biblionumber=324</guid> </item> <item> <title> Esthetica en kunstgeschiedenis : Bezinning over de methode / </title> <dc:identifier>ISBN:</dc:identifier> <link>/cgi-bin/koha/opac-detail.pl?biblionumber=325</link> <description> <![CDATA[ <p> By Philippot, Paul.<br /> 1964 </p> ]]> <![CDATA[ <p> <a href="/cgi-bin/koha/opac-reserve.pl?biblionumber=325">Place hold on <em>Esthetica en kunstgeschiedenis :</em></a> </p> ]]> </description> <guid>/cgi-bin/koha/opac-detail.pl?biblionumber=325</guid> </item> <item> <title> Réflexions sur l'exposition &quot;Le siècle de Brueghel&quot; : la peinture en Belgique au XVIe siècle / </title> <dc:identifier>ISBN:</dc:identifier> <link>/cgi-bin/koha/opac-detail.pl?biblionumber=326</link> <description> <![CDATA[ <p> By Philippot, Paul.<br /> 1964 </p> ]]> <![CDATA[ <p> <a href="/cgi-bin/koha/opac-reserve.pl?biblionumber=326">Place hold on <em>Réflexions sur l'exposition &quot;Le siècle de Brueghel&quot; :</em></a> </p> ]]> </description> <guid>/cgi-bin/koha/opac-detail.pl?biblionumber=326</guid> </item> <item> <title> De architectuur als figuratieve kunst / </title> <dc:identifier>ISBN:</dc:identifier> <link>/cgi-bin/koha/opac-detail.pl?biblionumber=327</link> <description> <![CDATA[ <p> By Philippot, Paul.<br /> 1966 </p> ]]> <![CDATA[ <p> <a href="/cgi-bin/koha/opac-reserve.pl?biblionumber=327">Place hold on <em>De architectuur als figuratieve kunst /</em></a> </p> ]]> </description> <guid>/cgi-bin/koha/opac-detail.pl?biblionumber=327</guid> </item> <item> <title> Het Nood-godsdrieluik van de kerk te Watervliet. Le triptyque de la Déploration de l'église de Watervliet : La restauration / </title> <dc:identifier>ISBN:</dc:identifier> <link>/cgi-bin/koha/opac-detail.pl?biblionumber=333</link> <description> <![CDATA[ <p> 1966 </p> ]]> <![CDATA[ <p> <a href="/cgi-bin/koha/opac-reserve.pl?biblionumber=333">Place hold on <em>Het Nood-godsdrieluik van de kerk te Watervliet. Le triptyque de la Déploration de l'église de Watervliet : </em></a> </p> ]]> </description> <guid>/cgi-bin/koha/opac-detail.pl?biblionumber=333</guid> </item> <item> <title> Die Ausbildung von Gemälde- und Plastikrestauratoren / </title> <dc:identifier>ISBN:</dc:identifier> <link>/cgi-bin/koha/opac-detail.pl?biblionumber=334</link> <description> <![CDATA[ <p> By Philippot, Paul.<br /> 1966 </p> ]]> <![CDATA[ <p> <a href="/cgi-bin/koha/opac-reserve.pl?biblionumber=334">Place hold on <em>Die Ausbildung von Gemälde- und Plastikrestauratoren /</em></a> </p> ]]> </description> <guid>/cgi-bin/koha/opac-detail.pl?biblionumber=334</guid> </item> <item> <title> La conservation comme problème international et le &quot;centre de Rome&quot; / </title> <dc:identifier>ISBN:</dc:identifier> <link>/cgi-bin/koha/opac-detail.pl?biblionumber=335</link> <description> <![CDATA[ <p> By Philippot, Paul.<br /> 1967 </p> ]]> <![CDATA[ <p> <a href="/cgi-bin/koha/opac-reserve.pl?biblionumber=335">Place hold on <em>La conservation comme problème international et le &quot;centre de Rome&quot; /</em></a> </p> ]]> </description> <guid>/cgi-bin/koha/opac-detail.pl?biblionumber=335</guid> </item> <item> <title> La conservation des peintures murales / </title> <dc:identifier>ISBN:</dc:identifier> <link>/cgi-bin/koha/opac-detail.pl?biblionumber=336</link> <description> <![CDATA[ <p> 1969 </p> ]]> <![CDATA[ <p> <a href="/cgi-bin/koha/opac-reserve.pl?biblionumber=336">Place hold on <em>La conservation des peintures murales /</em></a> </p> ]]> </description> <guid>/cgi-bin/koha/opac-detail.pl?biblionumber=336</guid> </item> <item> <title> De Kunst tussen Barok en twintigste eeuw : het beeld als voorstelling / </title> <dc:identifier>ISBN:</dc:identifier> <link>/cgi-bin/koha/opac-detail.pl?biblionumber=337</link> <description> <![CDATA[ <p> By Philippot, Paul.<br /> 1969 </p> ]]> <![CDATA[ <p> <a href="/cgi-bin/koha/opac-reserve.pl?biblionumber=337">Place hold on <em>De Kunst tussen Barok en twintigste eeuw : </em></a> </p> ]]> </description> <guid>/cgi-bin/koha/opac-detail.pl?biblionumber=337</guid> </item> <item> <title> La restauration des sculptures polychromes / </title> <dc:identifier>ISBN:</dc:identifier> <link>/cgi-bin/koha/opac-detail.pl?biblionumber=338</link> <description> <![CDATA[ <p> By Philippot, Paul.<br /> 1970 </p> ]]> <![CDATA[ <p> <a href="/cgi-bin/koha/opac-reserve.pl?biblionumber=338">Place hold on <em>La restauration des sculptures polychromes /</em></a> </p> ]]> </description> <guid>/cgi-bin/koha/opac-detail.pl?biblionumber=338</guid> </item> <item> <title> Problema tencuielilor în restaurarea monumentelor / </title> <dc:identifier>ISBN:</dc:identifier> <link>/cgi-bin/koha/opac-detail.pl?biblionumber=340</link> <description> <![CDATA[ <p> 1972 </p> ]]> <![CDATA[ <p> <a href="/cgi-bin/koha/opac-reserve.pl?biblionumber=340">Place hold on <em>Problema tencuielilor în restaurarea monumentelor /</em></a> </p> ]]> </description> <guid>/cgi-bin/koha/opac-detail.pl?biblionumber=340</guid> </item> <item> <title> Le &quot;Retable des Poissonniers&quot; des Musées royaux : œuvre de Pierre Pourbus / </title> <dc:identifier>ISBN:</dc:identifier> <link>/cgi-bin/koha/opac-detail.pl?biblionumber=341</link> <description> <![CDATA[ <p> By Philippot, Paul.<br /> 1973 </p> ]]> <![CDATA[ <p> <a href="/cgi-bin/koha/opac-reserve.pl?biblionumber=341">Place hold on <em>Le &quot;Retable des Poissonniers&quot; des Musées royaux : </em></a> </p> ]]> </description> <guid>/cgi-bin/koha/opac-detail.pl?biblionumber=341</guid> </item> <item> <title> Essai de typologie de la formation des specialistes de la conservation / </title> <dc:identifier>ISBN:</dc:identifier> <link>/cgi-bin/koha/opac-detail.pl?biblionumber=342</link> <description> <![CDATA[ <p> By Philippot, Paul.<br /> 1974 </p> ]]> <![CDATA[ <p> <a href="/cgi-bin/koha/opac-reserve.pl?biblionumber=342">Place hold on <em>Essai de typologie de la formation des specialistes de la conservation /</em></a> </p> ]]> </description> <guid>/cgi-bin/koha/opac-detail.pl?biblionumber=342</guid> </item> <item> <title> Die Behandlung von Fehlstellen in der Wandmalerei / </title> <dc:identifier>ISBN:</dc:identifier> <link>/cgi-bin/koha/opac-detail.pl?biblionumber=343</link> <description> <![CDATA[ <p> 1975 </p> ]]> <![CDATA[ <p> <a href="/cgi-bin/koha/opac-reserve.pl?biblionumber=343">Place hold on <em>Die Behandlung von Fehlstellen in der Wandmalerei /</em></a> </p> ]]> </description> <guid>/cgi-bin/koha/opac-detail.pl?biblionumber=343</guid> </item> <item> <title> La fin du XVe siecle et les origines d'une nouvelle conception de l'image dans la peinture des Pays-Bas / </title> <dc:identifier>ISBN:</dc:identifier> <link>/cgi-bin/koha/opac-detail.pl?biblionumber=345</link> <description> <![CDATA[ <p> By Philippot, Paul.<br /> 1962 </p> ]]> <![CDATA[ <p> <a href="/cgi-bin/koha/opac-reserve.pl?biblionumber=345">Place hold on <em>La fin du XVe siecle et les origines d'une nouvelle conception de l'image dans la peinture des Pays-Bas /</em></a> </p> ]]> </description> <guid>/cgi-bin/koha/opac-detail.pl?biblionumber=345</guid> </item> <item> <title> Le problème de l'intégration des lacunes dans la restauration des peintures / </title> <dc:identifier>ISBN:</dc:identifier> <link>/cgi-bin/koha/opac-detail.pl?biblionumber=346</link> <description> <![CDATA[ <p> 1959 </p> ]]> <![CDATA[ <p> <a href="/cgi-bin/koha/opac-reserve.pl?biblionumber=346">Place hold on <em>Le problème de l'intégration des lacunes dans la restauration des peintures /</em></a> </p> ]]> </description> <guid>/cgi-bin/koha/opac-detail.pl?biblionumber=346</guid> </item> <item> <title> Réflexions sur quelques problèmes esthétiques et techniques de la retouche / </title> <dc:identifier>ISBN:</dc:identifier> <link>/cgi-bin/koha/opac-detail.pl?biblionumber=347</link> <description> <![CDATA[ <p> 1960 </p> ]]> <![CDATA[ <p> <a href="/cgi-bin/koha/opac-reserve.pl?biblionumber=347">Place hold on <em>Réflexions sur quelques problèmes esthétiques et techniques de la retouche /</em></a> </p> ]]> </description> <guid>/cgi-bin/koha/opac-detail.pl?biblionumber=347</guid> </item> <item> <title> Die Integration von Fehlstellen in der Gemälderestaurierung / </title> <dc:identifier>ISBN:</dc:identifier> <link>/cgi-bin/koha/opac-detail.pl?biblionumber=348</link> <description> <![CDATA[ <p> By Philippot, Paul.<br /> 1962 </p> ]]> <![CDATA[ <p> <a href="/cgi-bin/koha/opac-reserve.pl?biblionumber=348">Place hold on <em>Die Integration von Fehlstellen in der Gemälderestaurierung /</em></a> </p> ]]> </description> <guid>/cgi-bin/koha/opac-detail.pl?biblionumber=348</guid> </item> <item> <title> La descente de croix de Rubens : technique picturale et traitement / </title> <dc:identifier>ISBN:</dc:identifier> <link>/cgi-bin/koha/opac-detail.pl?biblionumber=349</link> <description> <![CDATA[ <p> 1963 </p> ]]> <![CDATA[ <p> <a href="/cgi-bin/koha/opac-reserve.pl?biblionumber=349">Place hold on <em>La descente de croix de Rubens :</em></a> </p> ]]> </description> <guid>/cgi-bin/koha/opac-detail.pl?biblionumber=349</guid> </item> <item> <title> La notion de patine et le nettoyage des peintures / </title> <dc:identifier>ISBN:</dc:identifier> <link>/cgi-bin/koha/opac-detail.pl?biblionumber=350</link> <description> <![CDATA[ <p> By Philippot, Paul.<br /> 1966 </p> ]]> <![CDATA[ <p> <a href="/cgi-bin/koha/opac-reserve.pl?biblionumber=350">Place hold on <em>La notion de patine et le nettoyage des peintures /</em></a> </p> ]]> </description> <guid>/cgi-bin/koha/opac-detail.pl?biblionumber=350</guid> </item> <item> <title> Le problème des relations entre historiens de l'art et restaurateurs / </title> <dc:identifier>ISBN:</dc:identifier> <link>/cgi-bin/koha/opac-detail.pl?biblionumber=351</link> <description> <![CDATA[ <p> By Philippot, Paul.<br /> 1967 </p> ]]> <![CDATA[ <p> <a href="/cgi-bin/koha/opac-reserve.pl?biblionumber=351">Place hold on <em>Le problème des relations entre historiens de l'art et restaurateurs /</em></a> </p> ]]> </description> <guid>/cgi-bin/koha/opac-detail.pl?biblionumber=351</guid> </item> <item> <title> Die Konservierung als internationales Problem und das &quot;Centre&quot; in Rom / </title> <dc:identifier>ISBN:</dc:identifier> <link>/cgi-bin/koha/opac-detail.pl?biblionumber=352</link> <description> <![CDATA[ <p> By Philippot, Paul.<br /> 1967 </p> ]]> <![CDATA[ <p> <a href="/cgi-bin/koha/opac-reserve.pl?biblionumber=352">Place hold on <em>Die Konservierung als internationales Problem und das &quot;Centre&quot; in Rom /</em></a> </p> ]]> </description> <guid>/cgi-bin/koha/opac-detail.pl?biblionumber=352</guid> </item> <item> <title> La Dernière Cène de Tongerlo et sa restauration / </title> <dc:identifier>ISBN:</dc:identifier> <link>/cgi-bin/koha/opac-detail.pl?biblionumber=353</link> <description> <![CDATA[ <p> 1967 </p> ]]> <![CDATA[ <p> <a href="/cgi-bin/koha/opac-reserve.pl?biblionumber=353">Place hold on <em>La Dernière Cène de Tongerlo et sa restauration /</em></a> </p> ]]> </description> <guid>/cgi-bin/koha/opac-detail.pl?biblionumber=353</guid> </item> <item> <title> The conservation of wall paintings / </title> <dc:identifier>ISBN:</dc:identifier> <link>/cgi-bin/koha/opac-detail.pl?biblionumber=356</link> <description> <![CDATA[ <p> 1968 , Prepared in co-operation with the International Centre for the Study of the Preservation and Restoration of Cultural Property, Rome, Italy </p> ]]> <![CDATA[ <p> <a href="/cgi-bin/koha/opac-reserve.pl?biblionumber=356">Place hold on <em>The conservation of wall paintings /</em></a> </p> ]]> </description> <guid>/cgi-bin/koha/opac-detail.pl?biblionumber=356</guid> </item> <item> <title> Problemes esthetiques et archeologiques de conservation des sculptures polychromes / </title> <dc:identifier>ISBN:</dc:identifier> <link>/cgi-bin/koha/opac-detail.pl?biblionumber=357</link> <description> <![CDATA[ <p> By Philippot, Paul.<br /> 1971 , Preprints of the Contributions to the New York Conference on Conservation of Stone and Wooden Objects. 7-13 June 1970. </p> ]]> <![CDATA[ <p> <a href="/cgi-bin/koha/opac-reserve.pl?biblionumber=357">Place hold on <em>Problemes esthetiques et archeologiques de conservation des sculptures polychromes /</em></a> </p> ]]> </description> <guid>/cgi-bin/koha/opac-detail.pl?biblionumber=357</guid> </item> <item> <title> Regional cooperation and conservation / </title> <dc:identifier>ISBN:</dc:identifier> <link>/cgi-bin/koha/opac-detail.pl?biblionumber=358</link> <description> <![CDATA[ <p> By Philippot, Paul.<br /> 1972 , Proceedings of the Asia-Pacific Seminar on Conservation of Cultural Property Feb. 7-16, 1972 </p> ]]> <![CDATA[ <p> <a href="/cgi-bin/koha/opac-reserve.pl?biblionumber=358">Place hold on <em>Regional cooperation and conservation /</em></a> </p> ]]> </description> <guid>/cgi-bin/koha/opac-detail.pl?biblionumber=358</guid> </item> <item> <title> Some thoughts on training in conservation / </title> <dc:identifier>ISBN:</dc:identifier> <link>/cgi-bin/koha/opac-detail.pl?biblionumber=359</link> <description> <![CDATA[ <p> By Philippot, Paul.<br /> 1972 , Proceedings of the Asia-Pacific Seminar on Conservation of Cultural Property Feb. 7-16, 1972 </p> ]]> <![CDATA[ <p> <a href="/cgi-bin/koha/opac-reserve.pl?biblionumber=359">Place hold on <em>Some thoughts on training in conservation /</em></a> </p> ]]> </description> <guid>/cgi-bin/koha/opac-detail.pl?biblionumber=359</guid> </item> <item> <title> Le nettoyage des peintures murales / </title> <dc:identifier>ISBN:</dc:identifier> <link>/cgi-bin/koha/opac-detail.pl?biblionumber=360</link> <description> <![CDATA[ <p> 1975 , Miscellanea in Memoriam Paul Coremans (1908-1965) </p> ]]> <![CDATA[ <p> <a href="/cgi-bin/koha/opac-reserve.pl?biblionumber=360">Place hold on <em>Le nettoyage des peintures murales /</em></a> </p> ]]> </description> <guid>/cgi-bin/koha/opac-detail.pl?biblionumber=360</guid> </item> <item> <title> The problem of lacunae in mosaics / </title> <dc:identifier>ISBN:</dc:identifier> <link>/cgi-bin/koha/opac-detail.pl?biblionumber=361</link> <description> <![CDATA[ <p> By Philippot, Paul.<br /> 1977 </p> ]]> <![CDATA[ <p> <a href="/cgi-bin/koha/opac-reserve.pl?biblionumber=361">Place hold on <em>The problem of lacunae in mosaics /</em></a> </p> ]]> </description> <guid>/cgi-bin/koha/opac-detail.pl?biblionumber=361</guid> </item> <item> <title> Introductory speech : Conservation and tradition of craft / </title> <dc:identifier>ISBN:</dc:identifier> <link>/cgi-bin/koha/opac-detail.pl?biblionumber=362</link> <description> <![CDATA[ <p> By Philippot, Paul.<br /> 1986 , Organizing Committee of International Symposium on the Conservation and Restoration of Cultural Property. Conservation of Far Eastern Art Objectf, November 26-29, 1979, Tokyo, Japan </p> ]]> <![CDATA[ <p> <a href="/cgi-bin/koha/opac-reserve.pl?biblionumber=362">Place hold on <em>Introductory speech :</em></a> </p> ]]> </description> <guid>/cgi-bin/koha/opac-detail.pl?biblionumber=362</guid> </item> <item> <title> Bildung, Berufsethik und Ausbildung des Restorators / </title> <dc:identifier>ISBN:</dc:identifier> <link>/cgi-bin/koha/opac-detail.pl?biblionumber=363</link> <description> <![CDATA[ <p> By Philippot, Paul.<br /> 1982 </p> ]]> <![CDATA[ <p> <a href="/cgi-bin/koha/opac-reserve.pl?biblionumber=363">Place hold on <em>Bildung, Berufsethik und Ausbildung des Restorators /</em></a> </p> ]]> </description> <guid>/cgi-bin/koha/opac-detail.pl?biblionumber=363</guid> </item> <item> <title> Restaurierung aus Geisteswissenschaftlicher sicht / </title> <dc:identifier>ISBN:</dc:identifier> <link>/cgi-bin/koha/opac-detail.pl?biblionumber=364</link> <description> <![CDATA[ <p> By Philippot, Paul.<br /> 1983 </p> ]]> <![CDATA[ <p> <a href="/cgi-bin/koha/opac-reserve.pl?biblionumber=364">Place hold on <em>Restaurierung aus Geisteswissenschaftlicher sicht /</em></a> </p> ]]> </description> <guid>/cgi-bin/koha/opac-detail.pl?biblionumber=364</guid> </item> <item> <title> La restauration des façades peintes : du problème critique au problème technique / </title> <dc:identifier>ISBN:</dc:identifier> <link>/cgi-bin/koha/opac-detail.pl?biblionumber=365</link> <description> <![CDATA[ <p> By Philippot, Paul.<br /> 1984 , Atti del convegno di studi. Genova, 15-17 aprile 1982. </p> ]]> <![CDATA[ <p> <a href="/cgi-bin/koha/opac-reserve.pl?biblionumber=365">Place hold on <em>La restauration des façades peintes :</em></a> </p> ]]> </description> <guid>/cgi-bin/koha/opac-detail.pl?biblionumber=365</guid> </item> <item> <title> La conservation des œuvres d'art : problème de politique culturelle / </title> <dc:identifier>ISBN:</dc:identifier> <link>/cgi-bin/koha/opac-detail.pl?biblionumber=366</link> <description> <![CDATA[ <p> By Philippot, Paul.<br /> 1985 </p> ]]> <![CDATA[ <p> <a href="/cgi-bin/koha/opac-reserve.pl?biblionumber=366">Place hold on <em>La conservation des œuvres d'art :</em></a> </p> ]]> </description> <guid>/cgi-bin/koha/opac-detail.pl?biblionumber=366</guid> </item> <item> <title> Il restauro degli intonaci colorati in architettura : l'esempio di Roma e la questione di metodo / </title> <dc:identifier>ISBN:</dc:identifier> <link>/cgi-bin/koha/opac-detail.pl?biblionumber=367</link> <description> <![CDATA[ <p> 1986 , Intonaci colore e coloriture nell'Edilizia Storica – Atti del Convegno di Studi. Parte II Supplemento </p> ]]> <![CDATA[ <p> <a href="/cgi-bin/koha/opac-reserve.pl?biblionumber=367">Place hold on <em>Il restauro degli intonaci colorati in architettura :</em></a> </p> ]]> </description> <guid>/cgi-bin/koha/opac-detail.pl?biblionumber=367</guid> </item> <item> <title> La phenomenologie de la creation artistique chez Cesare Brandi / </title> <dc:identifier>ISBN:</dc:identifier> <link>/cgi-bin/koha/opac-detail.pl?biblionumber=368</link> <description> <![CDATA[ <p> By Philippot, Paul.<br /> 1988 </p> ]]> <![CDATA[ <p> <a href="/cgi-bin/koha/opac-reserve.pl?biblionumber=368">Place hold on <em>La phenomenologie de la creation artistique chez Cesare Brandi /</em></a> </p> ]]> </description> <guid>/cgi-bin/koha/opac-detail.pl?biblionumber=368</guid> </item> <item> <title> Les couleurs de Rome / </title> <dc:identifier>ISBN:</dc:identifier> <link>/cgi-bin/koha/opac-detail.pl?biblionumber=369</link> <description> <![CDATA[ <p> By Philippot, Paul.<br /> 1988 </p> ]]> <![CDATA[ <p> <a href="/cgi-bin/koha/opac-reserve.pl?biblionumber=369">Place hold on <em>Les couleurs de Rome /</em></a> </p> ]]> </description> <guid>/cgi-bin/koha/opac-detail.pl?biblionumber=369</guid> </item> <item> <title> Conclusion / </title> <dc:identifier>ISBN:</dc:identifier> <link>/cgi-bin/koha/opac-detail.pl?biblionumber=370</link> <description> <![CDATA[ <p> By Philippot, Paul.<br /> 1989 , Acts of the XXVIth International Congress of the History of Art </p> ]]> <![CDATA[ <p> <a href="/cgi-bin/koha/opac-reserve.pl?biblionumber=370">Place hold on <em>Conclusion /</em></a> </p> ]]> </description> <guid>/cgi-bin/koha/opac-detail.pl?biblionumber=370</guid> </item> <item> <title> La conservazione degli affreschi di Ninfa / </title> <dc:identifier>ISBN:</dc:identifier> <link>/cgi-bin/koha/opac-detail.pl?biblionumber=371</link> <description> <![CDATA[ <p> By Philippot, Paul.<br /> 1990 , Atti del Colloquio della Fondazione Camillo Caetani Roma, Sermoneta, Ninfa, 7-9 ottobre 1988 </p> ]]> <![CDATA[ <p> <a href="/cgi-bin/koha/opac-reserve.pl?biblionumber=371">Place hold on <em>La conservazione degli affreschi di Ninfa /</em></a> </p> ]]> </description> <guid>/cgi-bin/koha/opac-detail.pl?biblionumber=371</guid> </item> </channel> </rss>
