000			02672 a2200301 4500
020			_a9789934541957
041			_aeng
100			_aAncane, Anna _eed. _922
245			_aThe Migration of Artists and Architects in Central and Northern Europe, 1560-1900 / _cEdited by Anna Ancane
260			_aRiga : _bLatvijas Makslas akademija, _c2022
300			_a279 p. : _billustrations
505			_rKonrad A. Ottenheym, _tMigration of architects in early modern Europe
505			_rKathrin Wagner, _tThe pre-migration phase and its significance for the migration of foreign artists working at the Tudor and Jacobean courts in London (1485–1642)
505			_rMichał Wardzyński, _tSculptors Joseph van Enden (Eynden), Augustin van Oyen and Martin Christian Peterson: Last ‘Mannerist’ Netherlandish and Danish immigrants in the Polish–Lithuanian Commonwealth?
505			_rWendy Frère, _tA Quellinus in Scandinavia: Thomas Quellinus (1661–1709) and his artistic production in Denmark
505			_rAgnieszka Patała, _tOld connections die hard: Artistic migrations between Nuremberg and Breslau in the sixteenth century from the perspective of Silesia (selected issues)
505			_rAnna Ancāne, _tTransfer of new models in Riga architecture and sculptural décor in the 1750–60s: Johann Friedrich Oettinger, a travelling artist in military service, and immigrant sculptor Jacob Ernst Meyer
505			_rAistė Paliušytė, _tLithuanian contribution to the studies of artists’ migration in the seventeenth and eighteenth centuries
505			_rHans J. Van Miegroet, _tMapping artists and artist migrations with imperfect data
505			_rAleksandra Lipińska, _t‘On the move’ in Central and Northern Europe: Trends and methods in the research on artist migration
505			_rAlessandra Becucci, _tChi non è conosciuto li conviene in età matura fare il noviziato: New documents for seventeenth-century artistic migration in Central Europe
505			_rSanja Cvetnić, _tRome in Croatia, via Tyrol
505			_rRuth Sargent Noyes, _tTranslatio reliquiae and translatio imperii between Italy and North-Eastern Europe in the Age of Partition (c. 1750–1800): The case of the Plater in Polish Livonia
505			_rJulia Trinkert, _tThe architect and his employer: Carl Gottlob Horn’s passive mobility and its significance for Heinrich Carl von Schimmelmann’s social ascendancy
505			_rEduards Kļaviņš, _tPragmatic migration and romantic nomadism of artists across and from the German-ruled Baltic provinces of the Russian Empire at the turn and the beginning of the nineteenth century
999			_c5046 _d5046